
For decades, Dutch photographer Hans Eijkelboom watched the world go by.
Hidden in plain sight, Eijkelboom photographed public squares all around the globe. Working in hours-long bursts, he captured the people flowing through places at a specific moment in time – thousands of unique individuals, each as distinct as the last, their differences captured with only a datestamp in common.
Or so one would believe.
In reality, Eijkelboom’s work – published as the evocatively-monotonous “People of the Twenty-First Century” – revealed a world full of patterns. Whether intentionally or not, the unique individuals he saw congealed around specific macrotrends. Laid out in time-stamped photo grids, Eijkelboom’s work suggests a clear if uncomfortable message: the people of the twenty-first century were born to copy.
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