Everything Wrong With Arrival In 16 Minutes Or Less




Science fiction has always had something of an unfortunate image stuck with it. Since the late 60s, the genre as a whole has always carried the image of schlock raygun fights, space battles and simple storytelling. This is wrong of course, in the same way that anime is hardly limited to unfortunately placed tentacles and Super Saiyans, but even in this supposed new golden age it's an image which still sticks. Over the last few years though, it seems that big budget cinema has seriously been pushing to finally cast off this old limitation, with Arrival being its latest effort.


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